Friday, September 30, 2011


A client of mine sent me an email today, which was the inspiration for my blog.  This client has been in the business many years, and I found it interesting that this particular subject had never been explained to her before.  I thought that if this veteran actress did not know the answer, there must be other actors who don’t know either…

Question:
Any word at all on whether my (blank) spot is going to run?

Answer:
The way you find out whether or not your spot is going to run is by contacting the ad agency.  In general ad agencies are more open to answering such questions when they come from the actor, or the guardian of the actor, as opposed to a talent agent.  The same holds true when requesting copies of commercials and/or voice-overs. 

I have my own theories as to why ad agencies are more receptive to actors as opposed to agents.  Agents are your liaison between the ad agency, the production company, etc.  It is our job to play hardball, not yours.  When you reach out to them, they are less likely to be concerned that there is going to be a conflict, and are therefore more likely to help you complete your task.  They also feel better about themselves as they have done a personal favor for you. 

The easiest way to locate the ad agency is to check your call sheet.  It is best when you shoot a commercial to keep a copy of your call sheet, as this will prove to be an infinitely useful tool.  Alternatively, you can find the name of the ad agency on your pay stub. 

Contact the ad agency and ask for Broadcast Services, the Traffic Division, or whoever is responsible for purchasing time.  In most cases you will be directed to the appropriate party. 

Once you reach that person ask them what their media buy is, and if they have not purchased, do they intend to purchase?  Airtime is usually purchased a few months in advance, so it is possible that even though they say they have not purchased, that is not always an indication they will not purchase in the future.  Many spots are shot and held over a year in advance. 

Keep track of your pay stub, and when your holding fees are due, and if they keep coming in, there’s a good chance eventually airtime will be purchased.      


Please feel free to comment, or ask questions.

Until next time, I remain your humble and obedient servant. 


-Addison DeWitt

7 comments:

  1. this is brilliant!!! such a great resource. smart savvy informative, spot on. addison rocks

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  2. ADDISON DEWITT???? LOL to the tenth power! Thanks for the tip.

    Eve

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  3. Love this!

    I have a question: If an actor is in a spot and it gets made into several,
    and the actor's face is recognizable (at least to the actor) but much farther away in the second spot, does the actor still make residuals? It's all principle roles; no group 6, etc....

    Thanks Addison!
    Lauren

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  4. Thank you!! This is REALLY helpful info... Great to know... :)

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  5. Thank you I'm thrilled to learn more here and sgree that there is something to the person dealings and help the ad agency is willing to give the actor direct.

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  6. Addison DeWitt is a straight shooter and one of the most brilliant minds in the entertainment business today. Oh yeah and she's hot.

    Great first post Addison. There are certainly a lot of unknowns when it comes to the entertainment business so thank you for helping answer some of those questions.

    Keep up the good work. Your awesome. :)

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